While completing his performance degree in Jazz on Tenor Saxophone, Daniel developed his skill in music production and recording. For close to 20 years, he has been working as a professional musician performing locally and internationally in corporate and original bands. He is also a composer, music director, recording session musician, and multi-instrumentalist (saxophone, keyboards, and bass guitar).

Since 2008, he has worked as an independent music producer, live sound, and mix engineer and produced a large body of work across many genres. Daniel has traveled and performed on saxophone extensively with the Chicago-based Gospel group, Light of Love (backing vocalists for Paul Simon and Toto) in the US and in Australia. He was their Production Manager for a Live Recording in Stavanger, Norway.

Daniel has worked for Education QLD and Brisbane City Council music program initiatives and was the USQ Summerschool Music Program Co-ordinator for five years.

He started at JMC academy as a sessional music lecturer in 2013 and was promoted to Senior Lecturer in Music where he coordinated the Ensemble Program, Music Technology, and Production units as well as lecturing and mentoring in Songwriting. He has represented JMC internationally on trips to India, Nepal, and Indonesia.

In 2020 Daniel was promoted to the role of Head of Audio in Brisbane.

Glenn commenced lecturing at JMC Academy in 1996 and has held the position of Department Head since 2006. This experience, coupled with 20 years of industry experience and academic accomplishment has made Glenn a master specialist in his field. Having worked in a variety of recording situations, from world class SSL equipped studios, to temporary setups in farmhouses, schools and garages, Glenn has built a broad repertoire of skills.

Glenn has recorded a variety of acts from rock bands to jazz artists; Welsh choirs to brass bands. He also has extensive location recording experience including gigs at the Sydney Entertainment Centre, Sydney Town Hall, Newcastle Town Hall, Enmore Theatre and Cessnock Town Hall to name a few. Personally inspired by Rick Rubin, Glenn encourages his students to develop their own unique ‘sound’ to ensure they establish a competitive, sustainable career in the industry.

Richie is a technically proficient musician (electric and acoustic guitar) with a sound knowledge of music theory and practice, music production, recording, mixing and mastering engineering, Contemporary songwriting, composition and arrangement. Experience in the business aspects of the music industry – contract negotiation, tour and concert organising, promotions and media, grants and relationship building.

Lewis Mitchell is a contemporary record producer, engineer and songwriter. Lewis Mitchell started his career at Jungle Studios in 2013, working with notable artists like Urthboy, Birds Of Tokyo, and JOY. He eventually joined Sony Music in 2016, where he lent his talent and passion for recording to artists such as Delta Goodrem and Gang Of Youths. His work on the latter's album, 'Go Farther In Lightness,' earned the record four ARIA Awards.

During his tenure at Sony, Lewis collaborated with renowned musicians like Johnny McDaid on Ed Sheeran productions and hosted sessions for Anderson Paak and the Free Nationals. In 2018, he joined Forbes Street Studios (Universal Music Group), where he worked closely with Def Jam Recordings to develop emerging talents.

Throughout his career, Lewis worked with a diverse range of artists, including A.B. Original, Amy Shark, A$AP Rocky, and Guy Sebastian. He also contributed to soundtracks for Australian films and TV series like '6 Festivals' and 'Black Snow.'

Currently, Lewis is producing and mixing for various talents at Forbes Street Studios (Universal Music Group), and he is working on Ziggy Ramo's third album, building on their previous successful collaborations, including the acclaimed 'Sugar Coated Lies' album. Lewis Mitchell's versatile contributions have left an indelible mark on the music industry, showcasing his prowess as a producer and songwriter.

Formerly an in-house engineer at Q Studios (Rhinoceros Recordings), Beau Sherrard is a sound engineer with over 20 years of studio and teaching experience. Beau has worked with numerous artists including INXS, Grinspoon, The Living End, Mick Hart, Steve Smyth, Sydney Symphony Orchestra, Jack Thompson, Grün, No Apologies, Jungle Fever and the cast of the Lion King. He has designed and teaches numerous units in spatial audio, recording, mixing, mastering and music production.

Music has been a passion of Thomas' since he picked up his first guitar at the tender age of 10. Fast forward 17 years and Tom’s phenomenal finger-style playing, subtle tone and seasoned musical taste push the boundaries of what is possible on an acoustic guitar. His unique style of playing incorporates finger picking with simultaneous percussion on the soundboard to create a detailed wall of sound.

Tom has toured nationally as an in-demand session player, played on the main stage of several music festivals and has had his signature guitar playing recorded on several albums. These accomplishments have been complemented with his in-depth Audio Engineering and Production knowledge obtained through his degree in the Bachelor of Popular Music at Griffith.

Tom now resides in Brisbane where he lectures Audio classes and teaches guitar at JMC Academy.

Credited with five Aria Awards and hundreds of releases, the Sonic signatures of clarity, power, punch and musicality are the defining qualities of Paul's work. He understands musicians and can tap into the essence of their artistic vision while making the recording process transparent, enjoyable, even transcendent.

Over the course of an extensive career in music production, Paul’s inclusive approach and versatility has led to successful collaborations with artists from multiple genres.

He has a deep technical knowledge and is a multi-instrumentalist with formal training in music (AMEB grade 7) and the recording arts, working at the Australian Broadcasting Corporation for a decade taking the role of Triple J live music producer for three years.

Bringing a critical approach to studio practice and an empathic ear to music production, Paul has written articles, spoken at industry conferences, podcasts and lectured extensively in music production.